Whom Goes There?

May 4, 2010
By Philip B. Corbett

Notes from the newsroom on grammar, usage and style. (Some frequently asked questions are here.)

We try, but we still haven’t quite mastered the whole who/whom situation.

At the risk of stating the obvious yet again, “who” is used as the subject of a relative clause; “whom” is used for an object.

For many speakers and writers, the common mistake is using “who” as an object, when traditional usage calls for “whom”: “I told her who I had invited.” Since this colloquial use of “who” is common in speech, it tends to slip into writing as well.

But for us, it seems that the opposite error is just as common — using “whom” when “who” is correct. This often occurs when an intervening attribution phrase throws us off track, or when the relative pronoun follows a preposition. Some recent examples, with help from a careful reader: ...

Click the post's title to read all of NY Times' article.

Who should I give the keys to? To whom should I give the keys?

The Talents of a Middle-Aged Brain

In "The Talents of a Middle-Aged Brain." Tara Parker-Rope, begins,

After we hit 40, many of us begin to worry about our aging brains. Will we spend our middle years searching for car keys and forgetting names?

Parker-Rope then asks the book's author, Barbara Strach, several questions, among them:

Q. So what’s the bad news about the middle-aged brain?

Q. So what kinds of things does a middle-aged brain do better than a younger brain?

Q. What about activities like learning to play an instrument or learning a foreign language?

Q. What was the most surprising thing you learned about the middle-aged brain?

Click the post's title to read the entire NY Times article.

Twenty Most Visited Nat'l Monuments - Slideshow

Click the post's title to see the slideshow

Big Brother Is Watching!

From an Amazon.com webpage, "Most popular Kindle hightlights:"

(click to enlarge)

And from that webpage's What's this? link:

The Amazon Kindle, Kindle for iPhone and Kindle for iPad each provide a very simple mechanism for adding highlights. Every month, Kindle customers highlight millions of book passages that are meaningful to them.

We combine the highlights of all Kindle customers and identify the passages with the most highlights. The resulting Popular Highlights help readers to focus on passages that are meaningful to the greatest number of people. We show only passages where the highlights of at least three distinct customers overlap, and we do not show which customers made those highlights.

The Most Highlighted of All Time passages have been highlighted by the most distinct customers. The Most Highlighted of All Time books are ranked based on a combination of number of highlighting customers and number of highlights. For Heavily Highlighted Recently passages and books the ranking is done in a similar fashion, but with a much greater emphasis on highlighting that was done recently over highlighting that was done a longer time ago.

Does the information gathered help Amazon sell more books? If so, how?

All the Picassos in the Cupboard

By Holland Carter
Published April 29, 2010

When in doubt, haul the Picassos out. There have already been several such haulings-out this year, and now comes the biggest of all, “Picasso in the Metropolitan Museum of Art,” a display of nearly every scrap in the Met’s scrappy Picasso collection: 34 paintings, 58 drawings, a dozen sculptures and ceramics, along with 200 of the museum’s 400 prints. ...

... In the long run the museum is doing a smart thing by going public with its deficiencies. The results make for a disappointing exhibition, but they also serve as an open call to collectors to pony up with gifts, fill in those blanks, be another Gertrude Stein. If the ploy works, maybe the next time the museum hauls out its Picassos, it will have not just a popular hit, which this show is sure to be, but also a great event.

“Picasso in the Metropolitan Museum of Art” remains on view through Aug. 1 at the Met; metmuseum.org.

Click on the post's title to read the entire review at The New York Times.

Walking in Holden Caulfield's footsteps through Manhattan

Nearly 60 years after the publication of 'The Catcher in the Rye' you can still see much of the New York that he saw.

By David L. Ulin
April 24, 2010 | 4:02 p.m.

Reporting from New York

Holden Caulfield was a flâneur. That's not generally how we think of him, this archetype of adolescent alienation, this detester of phonies, this poor little lost boy whose voice — by turns knowing, childlike, cynical and bereft — drives J.D. Salinger's iconic 1951 novel, "The Catcher in the Rye." Yet, from the moment, about a quarter of the way through the book, he arrives by train at Manhattan's now-demolished original Pennsylvania Station building, he is our guide on one of the 20th century's great literary walking tours. ...

... You can walk Holden's Manhattan in one long afternoon, starting at Penn Station (or perhaps I should say the new Penn Station) and working your way north up Broadway through the theater district to the park. From there, you can check on the ducks in the lagoon, then wander over to the museums, before heading south, past the Central Park Zoo, and down through midtown to Grand Central Station. There are a few hidden landmarks, but for the most part, it's a city saunter, New York as New Yorkers know it, an insider's take on the streets. ...

Click the title to read the article, which includes a map and a slideshow.

Can't Stand to Sit Too Long? There's a Desk for That

Click the post's title to read the entire NY Times article.

Plan for Greener, Pedestrian-Friendly 34th Street

By MICHAEL M. GRYNBAUM
Published: April 22, 2010

From the city that has banned cars from broad swaths of Broadway and put picnic tables in Times Square, here comes another great reshaping of New York’s streetscape.

The Bloomberg administration is moving ahead with what amounts to a radical, river-to-river reimagining of another major corridor: 34th Street, the Midtown thoroughfare that is home to Macy’s — and some of the city’s most congested traffic.

Automobiles would be banned on the block between Fifth Avenue and Avenue of the Americas, creating a pedestrian plaza bookended by Herald Square and the Empire State Building.

The result would be a street effectively split in two.

On the west side of the pedestrian plaza, all car traffic would flow west, toward the Hudson River. On the east side, all car traffic would move east, toward the East River. Buses would still operate in both directions, and through the pedestrian plaza as well, but in dedicated lanes separated from passenger cars by a concrete barrier.

Click on the post's title to read the entire article.

Making a BMW commercial

The commercial (From BMWBlog):




The camera platform:

Click on the post's title to read the story at BMWBlog.

A New $100 Bill

In a bid to make counterfeiting of the bill more difficult, a new $100 bill goes into circulation next February.

The coming bill's new security features include, according to The Wall Street Journal, "a blue 3-D Security Ribbon on the front of the note that contains images of bells and 100s, which move and change from one to the other as you tilt the note, according to joint release from the agencies. Another security feature is the 'Bell in the Inkwell' image that changes color from copper to green when the note is tilted, an effect that makes it appear and disappear within the inkwell. "

The New $100 Note: Know Its Features. Know It's Real is an informative website with video and interactive features.

Out of the Loop in Silicon Valley

By Claire Cain Miller
Published April 16, 2010

CANDACE FLEMING’S résumé boasts a double major in industrial engineering and English from Stanford, an M.B.A. from Harvard, a management position at Hewlett-Packard and experience as president of a small software company.

But when she was raising money for Crimson Hexagon, a start-up company she co-founded in 2007, she recalls one venture capitalist telling her that it didn’t matter that she didn’t have business cards, because all they would say was “Mom.”

Read the entire, interesting, informative article by clicking the post's title.

Drawn To A Larger Scale

By Alex Williams
Published April 14, 2010

HOW did a 32-year-old college dropout from the bayou of Louisiana, with no formal training in art — well, to be frank, no training at all — end up with a one-man show in a New York gallery and a client list that includes Robert Downey Jr. and Orlando Bloom?

For Scott Campbell, it all started at a tattoo studio in the Lower Haight district of San Francisco. “I’m just the dirty kid who snuck in the back door,” said Mr. Campbell, who said that he got the bulk of his art education tattooing teenage gang members in San Francisco in the 1990s. ...

... Last April, Mr. Campbell’s solo show at OHWOW, a gallery in Miami, sold out, said Al Moran, its director. It was evidence that Mr. Campbell had the stature needed to carry a solo show on April 29 at the gallery’s new space in Manhattan, on Crosby Street — its first since moving to the city. “All sorts of people were coming” to the Miami show, Mr. Moran said. “Tattoo kids were coming in, and museums were coming in.”

Mr. Campbell said he is nervous to show in New York. But added, philosophically, “If the art world shuns me, I can still do tattoos.”

Scott Campbell's show in New York.

Click on the post's title to read the entire article at The New York Times.

Richard Wagner's cycle has made its mark on comic books

David Ng, writing in the LA Times, says,

... Los Angeles Opera is producing the complete "Ring" for the first time beginning in May. Although this avant-garde staging isn't for neophytes, its emphasis on spectacle and visual effects (light sabers play an important role) could make it the ideal "Ring" for superhero geeks. ...

... Richard Wagner's "The Ring of the Nibelung" is regarded by many as an important genetic mother ship for today's fleet of action heroes. ...

... Even those who have never experienced Wagner's epic should have little trouble recognizing the names of some of its chief protagonists such as Wotan and Brünnhilde and her fellow Valkyries. That's partly because Wagner himself borrowed from a number of well-known myths and legends -- the 12th century Germanic poem the "Nibelungenlied" was his primary source. But it's also because pop culture has taken Wagner's creations over the years and liberally repurposed them into a multitude of hit incarnations.

Perhaps the most popular of the "Ring" characters are the Valkyries -- the airborne female warriors of the cycle's second opera, "Die Walküre," who carry slain soldiers from the battlefields to their final resting places in Valhalla. ...

... On TV, the most recognizable offspring of Wagner's Valkyries was the title character in the cult series "Xena: Warrior Princess." In the sixth and final season, which aired in 2000-2001, viewers learned that Xena ( Lucy Lawless) was once an evil Valkyrie who presided over a reign of terror in the show's pan-mythological universe. ...

Click on the post's title to read the entire article.

A promotion for LA Opera's production -- with audio and photos -- is here.

Alas, poor Shakespeare

Conspiracy theories about the authorship of his plays has gone mainstream.

By James Shapiro
April 11, 2010

Film director Roland Emmerich, whose last effort was the apocalyptic "2012," has begun shooting "Anonymous." It won't be another disaster movie -- except perhaps for English professors. According to Emmerich, the film is "about how it came to be that William Shakespeare was not the author of his plays," which, he says, turn out to have been written by the "Earl of Oxford." ...

... In a literary culture swamped by memoirs, many now take it for granted that most writing -- of the past no less than the present -- is confessional or at least experiential, and that you had to live it to describe it. (The Elizabethans would have found such notions bizarre.) By that logic, the Earl of Oxford, who in reality was captured by pirates and had three daughters, has a stronger claim to have written "Hamlet" and "King Lear" than a professional playwright from Stratford who never set sail and only had two daughters.

Since no external documents link the Earl of Oxford to the plays (in contrast to Shakespeare himself, for whom there is plenty of contemporary linking evidence), those convinced that he wrote them are stuck arguing, in circular fashion, that circumstantial evidence is to be found in the works, and that these works are necessarily autobiographical, a portrait of an aristocratic author's life, loves and thwarted political ambitions.

"Anonymous" capitalizes on the desire for a more exciting story than one in which a young man from the provinces moves to the big city and fashions out of old stories and a powerful imagination great plays and poems. And the democratization of knowledge on the Internet, a breeding ground for conspiracy theories, has been a boon for those who believe that Shakespeare didn't write the plays. It certainly hasn't helped that literary scholars have mostly dodged this fight, even as they've lost their cultural authority. ...

Click on the post's title to read the complete article at The Los Angeles Times.

Cowboys of the Silver Screen

On April 17, 2010, in Oklahoma City, Oklahoma, the Postal Service™ will issue a 44–cent, Cowboys of the Silver Screen commemorative stamp in four designs in a pane of 20 stamps and a booklet of 20 stamped postal cards, both designed by Carl T. Herrman of North Las Vegas, Nevada.

With the issuance of the Cowboys of the Silver Screen stamps, the U.S. Postal Service® honors four extraordinary performers who helped make the American Western a popular form of entertainment. Film stars from the silent era through the singing era are featured on the stamps: William S. Hart, Tom Mix, Gene Autry, and Roy Rogers.


Images and text courtesy of the USPS.


Hat tip to The Los Angeles Times, which made mention of The Autry National Center.

When Half a V-8 Is Enough

By RICHARD S. CHANG
Published: April 8, 2010

SCARSDALE, N.Y.


JACKIE SARIL’S nickname is Marisa Tomei, not that the two look much alike. For starters, Ms. Saril, who co-owns a public relations firm, has red hair. But her broad knowledge of vintage American cars reminds her friends of Mona Lisa Vito, Ms. Tomei’s caricature of a fast-talking, gum-chewing, surprisingly car-smart New Yorker in the 1992 film “My Cousin Vinny.” [more ...]

Henri Cartier-Bresson - The Modern Century

By HOLLAND COTTER
Published: April 8, 2010

Rarely has the phrase “man of the world” been more aptly applied than to the protean photographer Henri Cartier-Bresson, the subject of a handsome and large — though surely not anywhere near large enough — retrospective opening at the Museum of Modern Art on Sunday. ...

... “Henri Cartier-Bresson: The Modern Century” runs from Sunday through June 28 at the Museum of Modern Art; moma.org. It travels to the Art Institute of Chicago (July 24 to Oct. 3); the San Francisco Museum of Modern Art (Oct. 30 to Jan. 30); and the High Museum of Art in Atlanta (Feb. 19 to May 15).

Click on the post's title to read the entire article at The NY Times.

The exhibit will also appear in Chicago, San Francisco and Atlanta.

Call of the Small

From a New York Times report: CHRISTINE FERRARA, a 39-year-old public affairs director for the Institute for Advanced Study, a research center in Princeton, N.J., has a passion for modern architecture and design. It began in 2008, when her husband, Steven Birnbaum, a technology consultant, bought her an airy modern home with floor-to-ceiling windows. [more ...]

Ms. Ferrara's blog is Call of the Small.

Glenn Beck Doesn't 'Give a flying crap'

Forbes magazine has posted an article, "Glenn Beck Inc," which quotes Beck: "I could give a flying crap about the political process." Making money, on the other hand, is to be taken very seriously, and controversy is its own coinage. "We're an entertainment company."

Yes, he's an entertainer, but he's doing incredible damage to the country because many in his audience take him seriously.

Hat tips to Immoral Minority and Think Progress.

Digging up a piece of Hollywood history

Guadalupe is the Zelig of the Central Coast -- a speck on California Highway 1 that has had more than its share of brushes with history. Portola's expedition passed through in the 1700s. Father Junipero Serra brought the first cattle. Lt. Col. John Fremont and his troops camped in town in the mid-1800s and accidentally torched its oldest adobe.

In 1923, Cecil B. DeMille came to the Guadalupe-Nipomo Dunes on California's Central Coast and built a movie set that still captures the imagination -- a colossal Egyptian dreamscape for the silent movie version of "The Ten Commandments."

"If 1,000 years from now archaeologists happen to dig beneath the sands of Guadalupe," DeMille wrote, "I hope they will not rush into print with the amazing news that Egyptian civilization . . . extended all the way to the Pacific coast of North America." ...

Slideshow

... Peter Brosnan was a 30-year-old New York University film school graduate when he first heard the story in 1982. ...

... Captivated, Brosnan embarked on a journey that has yet to end -- a quest to find DeMille's set, exhume it and produce a documentary about this unusual piece of Hollywood history. ...

... Brosnan also collected stories from locals about the dozens of films shot outside Guadalupe from the silent era to the 1940s -- a time when the dunes were Hollywood's backlot for desert movies and ranch hands had fleeting encounters with Rudolph Valentino, Douglas Fairbanks, Gary Cooper and Marlene Dietrich.

... A steady trickle of film buffs find their way to the Guadalupe-Nipomo Dunes Center, where chunks of DeMille's set are on display, including a bas-relief of a pharaoh's head reassembled by Brosnan's team.

The center recently put out a news release announcing that Brosnan's documentary would be released this summer. This made Brosnan nervous, since he is still talking to Paramount about getting permission to use clips from "The Ten Commandments." ...

Digging up a piece of Hollywood history, by Mike Anton of The Los Angeles Times.